Guides
How to build a stream layout for a multi-day event marathon
Tournaments and championships that last days or weeks have a specific problem: rebuilding the channel combination every time the broadcast changes platform or schedule.
Short events (a single match, a one-off live stream) don't need much planning — you open the channels when you're going to watch and that's it. Long events are different: esports tournaments with a group stage spread across several days, charity gaming marathons, multi-day coverage of the same championship. In those cases, the set of channels you want to follow changes from day to day — sometimes from match to match — and rebuilding the combination manually every time gets tiring fast.
The most common pattern in long events
- The official channel changes schedule, not address. In most cases the event's official channel is the same from start to finish — what changes is the time slot and which secondary channels (partner creators, POVs, regional broadcasts) are active on any given day.
- Secondary channels come and go. Guest content creators, regional broadcasts, or player POVs tend to vary from day to day depending on who's playing or participating in that part of the event.
- Peak time changes. The group stage tends to have matches spread throughout the day; the final stage usually concentrates everything into a shorter window, with more people watching at once.
How to organize this in practice
- Set up a "base" layout with what doesn't change. That's usually the event's official channel — it stays fixed in the combination every day.
- Leave 1-2 grid positions reserved for that day's channels. Instead of building everything from scratch, just swap the link for those positions as the schedule changes — the rest of the layout (position, volume, size) stays the same.
- Save the combination as soon as you're happy with it. If the tool allows saving layouts, that avoids losing your setup between sessions — especially relevant for events lasting a week or more.
- Reassess default volume at each stage of the event. During the group stage, with less decisive simultaneous matches, it makes sense to keep most channels low/muted and only turn up whatever matters at the moment. In the final stage, usually one channel dominates the audio and the rest becomes a visual reference.
When it's worth building more than one layout
For events with stages that are quite different from each other (group stage vs. playoffs, for example), it can make more sense to have two saved layouts — a "denser" one with several channels for the group stage, and a leaner, more focused one for the final stage, when there's usually just a single decisive channel left. That avoids reorganizing a generic layout every time the event's dynamics change.
If the reason you're following several broadcasts is specifically a game with player POVs, the guide how to watch esports with multiple cameras at once goes into more detail on prioritizing between the official channel and individual POVs.